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Batman

1989  126 MN




Batman on IMDb
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Tim Burton
  Director




The Dark Knight of Gotham City begins his war on crime with his first major enemy being the clownishly homicidal Joker, who has seized control of Gotham's underworld.

 Release Date

June 23, 1989

 Runtime

2h6m (126 min)

 Budget

$ 35,000,000

 Revenue

$ 411,348,924


 Top Billed Cast

 Michael Keaton
 Bruce Wayne / Batman
 Jack Nicholson
 Jack Napier / The Joker
 Kim Basinger
 Vicki Vale
 Michael Gough
 Alfred Pennyworth
 Billy Dee Williams
 Harvey Dent
 Robert Wuhl
 Alexander Knox


 Written by

Warren Skaaren Screenplay
Bob Kane Characters
Sam Hamm Screenplay
Chris Buchinsky Storyboard

 Tagline

Have you ever danced with the devil in the pale moonlight?

 Videos




 Cast

Michael Keaton
  Bruce Wayne / Batman
Jack Nicholson
  Jack Napier / The Joker
Kim Basinger
  Vicki Vale
Michael Gough
  Alfred Pennyworth
Billy Dee Williams
  Harvey Dent
Robert Wuhl
  Alexander Knox
Pat Hingle
  Commissioner James Gordon
Jack Palance
  Carl Grissom
Jerry Hall
  Alicia Grissom
Tracey Walter
  Bob the Goon
Lee Wallace
  Mayor
William Hootkins
  Eckhardt
Richard Strange
  Goon
Carl Chase
  Goon
George Lane Cooper
  Goon
Terence Plummer
  Goon
Philip Tan
  Goon
John Sterland
  Accountant
Edwin Craig
  Rotelli
Vincent Wong
  Crimelord #1
Joel Cutrara
  Crimelord #2
John Dair
  Ricorso
Christopher Fairbank
  Nic
George Roth
  Eddie
Kate Harper
  Anchorwoman
Bruce McGuire
  Anchorman
Richard Durden
  TV Director
Kit Hollerbach
  Becky
Lachelle Carl
  TV Technician
Del Baker
  Napier Hood #1
Jazzer Jeyes
  Napier Hood #2
Wayne Michaels
  Napier Hood #3
Valentino Musetti
  Napier Hood #4
Rocky Taylor
  Napier Hood #5
Keith Edwards
  Reporter
Leon Herbert
  Reporter
Steve Plytas
  Doctor
Anthony Wellington
  Patrolman at Party
Amir M. Korangy
  Wine Steward
Hugo Blick
  Young Jack Napier
Charles Roskilly
  Young Bruce Wayne
Philip O'Brien
  Maitre d'
Michael Balfour
  Scientist
Garrick Hagon
  Dad
Liza Ross
  Mom
Adrian Meyers
  Jimmy
David Baxt
  Dr Wayne
Sharon Holm
  Mrs Wayne
Clyde Gatell
  Other Mugger
Jon Soresi
  Medic
Elliott Stein
  Man in Crowd
Sam Douglas
  Lawyer
Denis Lill
  Bob Kane
Paul Birchard
  Reporter
Paul Michael
  Cop

 Crew


Ray Lovejoy
  Editor
Roger Pratt
  Director of Photography
Tim Burton
  Director
Danny Elfman
  Original Music Composer
Warren Skaaren
  Screenplay
Bob Ringwood
  Costume Design
Bob Kane
  Characters
Peter Guber
  Producer
Jon Peters
  Producer
Marion Dougherty
  Casting
Anton Furst
  Production Design
Sam Hamm
  Screenplay
Leslie Tomkins
  Supervising Art Director
Bob Badami
  Music Editor
Michael Uslan
  Executive Producer
Benjamin Melniker
  Executive Producer
Suzie F. Wiesmann
  Visual Effects Production Manager
Nigel Phelps
  Art Direction
Peter Young
  Set Decoration
Nick Dudman
  Makeup Designer
Lynda Armstrong
  Makeup Artist
Terry Ackland-Snow
  Art Direction
Sally Osoba
  Casting Assistant
Eddy Joseph
  Sound Editor
Peter MacDonald
  Second Unit Director
Charles Staffell
  Projection
Don Sharpe
  Supervising Sound Editor
Prince
  Songs
Shirley Walker
  Conductor
Steve Bartek
  Orchestrator
Michael Dilbeck
  Music Supervisor
Ali Asad
  Assistant Camera
David Allday
  Draughtsman
Gordon Arnell
  Publicist
Derek Meddings
  Visual Effects
Eddie Stacey
  Stunt Coordinator
Graham Churchyard
  Assistant Costume Designer
Annie Crawford
  Wardrobe Supervisor
Brian Bishop
  Scenic Artist
Chuck Finch
  Gaffer
Murray Close
  Still Photographer
Jack Stew
  Foley Artist
Billy Merrell
  Best Boy Electric
Charles Torbett
  Property Master
Tony Dawe
  Production Sound Mixer
Eddie Butler
  Sculptor
Chris Brock
  Location Manager
Sy Hollands
  Stunt Double
Jonathan Taylor
  Focus Puller
Derek Cracknell
  First Assistant Director
Cheryl Leigh
  Script Supervisor
Bernie Hagadorn
  Rigging Grip
Chris Buchinsky
  Storyboard
Brenda Coxon
  Production Accountant
Michael Boone
  Assistant Art Director
John Evans
  Special Effects Supervisor
Richard Morrison
  Title Designer
Jan Jamison
  Hairstylist
Maurice Gillett
  Rigging Gaffer
Roy Clarke
  Production Driver
Fred Brown
  Electrician
Russ Woolnough
  Visual Effects Editor
Barbara Kalish
  Associate Producer
Chris Kenny
  Co-Producer
Tony Dunsterville
  Costume Design
Jenny Chartres
  Art Department Assistant
Roy Martin
  Standby Painter
John Campbell
  Camera Operator
Stuart Godfrey
  Key Grip
Patricia Gregory
  Grip
Suzanne Reynolds
  Prosthetic Makeup Artist
Jamie White
  Carpenter
Richard Brierley
  Clapper Loader
Victor Anderson
  Propmaker
Ken Barker
  Stunts
Paul Smith
  Dialogue Editor
Simon Harris
  First Assistant Editor
Margaret Adams
  Production Coordinator
John Samworth
  Boom Operator
Paula Connor
  Assistant Sound Editor
Rocky Phelan
  Foley Editor
Eric Tomlinson
  Scoring Mixer
Peter Watson
  Visual Effects Coordinator
Pat Harrison
  Unit Manager
Michael White
  Production Illustrator
John Falcini
  Second Assistant Sound
Les Benson
  Dressing Prop
Robin Demetriou
  Catering
Melvin Lind
  Second Assistant Director
Chrissie Richardson
  Assistant Accountant
Tommy Nutter
  Tailor
Steve Millson
  Third Assistant Director
Michael King
  Construction Buyer
Les Andrews
  Dressing Prop
Philip Clark
  Special Effects Technician
Christian Wolf-La'Moy
  Stunt Driver
Len Alexander
  Wardrobe Assistant
Maggie Choyce
  Assistant Script
Terry Shane
  Floor Runner
Max Brown
  Production Runner
Janice Body
  Rotoscoping Artist


 Quotes

 New Quote

 Reviews


 New Review

John Chard

Vision not fully realised, but still a template of sorts.

It could never have lived up to its hype back in 1989, it was hailed as the film to rival the impact of Jaws & Star Wars as regards historical cinema conventions, it was, we were led to believe, a new age in cinema, or so it seemed. As it was, the film went down a treat for the modern cinema going audience, it raked in cash galore and spawned a raft of very inferior sequels, but ultimately critics of the time were less than impressed.

So it makes for something of an interesting experience viewing it again as it approaches its 30th birthday in 2019. More so in light of Christopher Nolan's bank busting Dark Knight series of films. I remember the hype and marketing campaign that ensured that the film could never live up to the gargantuan hype, and I'm honest enough to say that I was a little underwhelmed on first viewing. Yet time has been very kind to it, now showing that Burton had the nous and foresight to reignite a genre. Visually the film still stands up with the best that today's genre pieces can offer, the sets are incredible, with Anton Furst rightly winning the big award for his work here, whilst Burton's dark and deep tone captures the essence of Gotham City and Bruce Wayne's troubled mind perfectly, but does the cast fully realise the potential on offer?

Sadly for me I just don't buy Michael Keaton as the troubled and vengeful Bruce Wayne, he is a fine actor that just doesn't quite cut it in the brooding close to madness department, and yet he's outstanding in the cape, arguably the best Batman ever. Jack Nicholson has the time of his life camping it up as The Joker, he steals the film for sure, but not because he is acting with great poise and class, but purely because in a film calling for the battle of two unhinged characters, he is the one awash in colour and overacting the maniacal side of the character to the max.

Kim Basinger looks great and doesn't have to do much as Vicki Vale except say her lines right, pout, look scared when required and scream with conviction, and she does all these. But really any other actress could have done the same thing - though I'm personally relieved that Sean Young dropped out of the film and thus allowed some other actress to step in. The supporting cast do OK, and although the soundtrack by Prince pushes the boundaries of annoying caricature indulgence, it does work and the film remains today a very entertaining watch, but you can't help feeling that there is some great Burton vision here that never got fully realised. And that is a damn shame. 8/10


Albert

This movie is so bad I couldn't even finish it.


Jakeflix

Yeah, it's good.



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