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The Lion King

2019  118 MN


 3.0



The Lion King on IMDb
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Jon Favreau
  Director




Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.

 Release Date

July 12, 2019

 Runtime

1h58m (118 min)


 Top Billed Cast

 Donald Glover
 Simba (voice)
 Beyoncé Knowles
 Nala (voice)
 James Earl Jones
 Mufasa (voice)
 Chiwetel Ejiofor
 Scar (voice)
 Alfre Woodard
 Sarabi (voice)
 John Oliver
 Zazu (voice)


 Written by

Jeff Nathanson Screenplay
Jonathan Roberts Characters
Linda Woolverton Characters
Irene Mecchi Characters
Brenda Chapman Story

 Videos




 Cast

Donald Glover
  Simba (voice)
Beyoncé Knowles
  Nala (voice)
James Earl Jones
  Mufasa (voice)
Chiwetel Ejiofor
  Scar (voice)
Alfre Woodard
  Sarabi (voice)
John Oliver
  Zazu (voice)
John Kani
  Rafiki (voice)
Seth Rogen
  Pumbaa (voice)
Billy Eichner
  Timon (voice)
Eric André
  Azizi (voice)
Florence Kasumba
  Shenzi (voice)
Keegan-Michael Key
  Kamari (voice)
JD McCrary
  Young Simba (voice)
Shahadi Wright Joseph
  Young Nala (voice)
Amy Sedaris
  Guinea Fowl (voice)
J. Lee
  Hyena (voice)
Penny Johnson
  Sarafina (voice)
Chance the Rapper
  Bush Baby (voice)
Phil LaMarr
  Impala (voice)

 Crew


Hans Zimmer
  Music
Jeff Nathanson
  Screenplay
Mark Livolsi
  Editor
Jonathan Roberts
  Characters
Caleb Deschanel
  Director of Photography
James Chinlund
  Production Design
Jon Favreau
  Director
Jon Favreau
  Producer
Jeffrey Silver
  Producer
Linda Woolverton
  Characters
Irene Mecchi
  Characters
Andrew R. Jones
  Animation Supervisor
Brenda Chapman
  Story
David H. Venghaus Jr.
  Associate Producer
Thomas Schumacher
  Executive Producer
Adam Valdez
  Visual Effects Supervisor
Tom C. Peitzman
  Executive Producer
Karen Gilchrist
  Producer
Robert Legato
  Visual Effects Supervisor
Donald Dowd
  Production Supervisor
Debbi Bossi
  Associate Producer
John Bartnicki
  Co-Producer


 Quotes

 New Quote

 Reviews


 New Review

The Faceless King
By Jack Anderson on October 19, 2019
 3

French-Greek filmmaker Costa-Gavras, when talking about the end of Charles Chaplin's The Great Dictator, explained that "it's the very essence of cinema, the human face. There are great landscapes, great deeds, personally, I think the greatest landscapes in the cinema, the one that says everything or nothing, is still the human face."

In the end of that 1940 masterpiece, Chaplin was looking straight into the camera and delivered one of the most vibrant cinema speeches ever put on film.

I believe that the best incarnation of that particular idea is The Lion King.

Directed by John Favreau, the remake of the 1994 cult Disney animation film tells the same story and tries to translate the emotions of the animated characters into the reality... but through animated CGI. In a way, the film is not truer than the original, as both are animation films. Obviously, the new version is filmed with real locations and it feels visually more real. But is it?

My answer is no. I heavily disliked The Lion King remake and the primary reason is that the characters are so realistic that they don't show emotions anymore. That's the very nature of animals. They don't speak and they don't show expressions the same way that men do. That's exactly why men eat animals. If animals could speak and show emotions in the same exacerbated way that men can, I can tell you that everyone would be vegetarian, but I digress.

There are no emotions at all. Every scene feels like watching a person with no emotion at all – talking. With no smiles, no expressions, nothing.

The animation from The Lion King is utterly brilliant. Perfectly realistic. It's been already many years since you cannot see the pixels, now you cannot even differentiate animation from reality anymore. That's both sublime and frightening at the same time. The first computer is not even 100 years old and already we can produce such marvelous realism. Evolution is progressing so fast that it will probably eat itself... but I digress again.

The music is, each and every time, worse than the original. Obviously, it is a virtually impossible task to supplant such a beloved soundtrack. The opening song is extremely representative of the problem. It starts exactly like in the original film, then a different voice recording makes everything go away.

SUMMARY
I give it 3 out of 10. Fantastically beautiful animation with no soul and no emotion. I see it as a rip-off of a beautiful anime that will please Disney's shareholders but not Disney's admirers.


SWITCH.

‘The Lion King’ is a catastrophe; a new low in the ever-diminishing returns of Disney’s endless run of remakes. There’s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau’s hands, ‘The Lion King’ is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don’t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you’d had a good time. ‘The Lion King’ is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic


msbreviews

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I don’t know how I should start, but I guess I’ll address something that people might ask: yes, it’s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn’t make sense in a realistic environment to adjustments to character’s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won’t take longer than one paragraph.

People need to understand that these Disney’s remakes aren’t here to replace the originals. They’re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the “additional” part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don’t know what you want, you might be in danger of turning into a hypocrite if your speech goes from “I don’t want these copy-paste remakes” to “they changed that specific moment, why didn’t they keep it the same?” Just be clear on what you wish. If you simply don’t want Disney to do these remakes, then just don’t watch them. Don’t go online try to beat it to the ground with negative comments if you haven’t seen the movie. Moving on …

I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994’s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It’s NOT a shot-for-shot remake! I don’t understand how so many critics are calling it so. Either people’s memory of the original faded or someone clearly didn’t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.

One proof would be that I cried on a scene that I never felt like it in the original. I don’t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar’s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.

Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He’s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there’s one voice that I could never watch another actor do is Mufasa’s. I have no words to express how emotionally powerful James Earl Jones’ voice is. As soon as he says “Simba” in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let’s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters’ relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed … You might need to rethink that. Also, I enjoyed the stretched last act (I found the original’s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).

JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it’s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It’s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.

I left the best to last: the visuals. I can’t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward … a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can’t be achieved, but going as far as saying that the film lacks soul or that the characters don’t emote is just inaccurate. You don’t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I’m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.

I don’t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There’s no element of surprise in regards to the story or the character’s decisions. We always know what’s coming, so we’re prepared (no pun intended) for anything they through at us because, well, we’ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the “animals don’t emote” argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight … In the original, it isn’t nighttime as well.

Finally, I just want to address the “these remakes aren’t necessary / no one asked for these” discussion. No one asked for the 1994’s movie until it came out. People didn’t know they needed it. Seriously, everyone needs to realize that these remakes aren’t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply “none”. That’s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994’s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.

In the end, it doesn’t matter if the story is identical if we cry all the same. It doesn’t matter if we know what’s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney’s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones’ voice is everything. Timon and Pumbaa are even funnier. Ejiofor’s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original’s story does. I wish it would be more distinct, but I can’t lie to myself, I love it deeply. One of 2019’s best movies. My #1 spot will be hard to decide… Go watch it! I can’t wait to see it again!

Rating: A


Gimly

_Vulgar Display of Dour_

_Final rating:★½: - Boring/disappointing. Avoid where possible._



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 News

The Faceless King
 October 19, 2019

 0    1    142
Disney Just Released a New Lion King Trailer
 April 10, 2019

 0    2    271
The Lion King Trailer
 November 23, 2018

 0    0    308



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