I, Daniel Blake

2016  100 MN


I, Daniel Blake on IMDb
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Ken Loach

 Release Date

October 21, 2016


1h40m (100 min)

 Top Billed Cast

 Dave Johns
 Hayley Squires
 Dylan McKiernan
 Briana Shann
 Kate Rutter
 Sharon Percy

 Written by

Paul Laverty Screenplay



Dave Johns
Hayley Squires
Dylan McKiernan
Briana Shann
Kate Rutter
Sharon Percy
Kema Sikazwe
Natalie Ann Jamieson
  Employment Support Allowance Assessor
Micky McGregor
Colin Coombs
Harriet Ghost
  Appeal Receptionist
Stephen Clegg
  Job Centre Floor Manager
David Murray
  Telephone Benefits Advisor
Bryn Jones
  Police Officer
Andy Kidd
  Job Centre Guard
Julie Nicholson
Viktoria Kay
  Woman of the House
Mick Laffey
  Welfare Benefits Advisor
John Sumner
  CV Manager
Mickey Hutton
  Man with Dog
Jane Birch
Dan Li
  Stan Li
Stephen Halliday
  Furniture Dealer
Malcolm Shields
  Mad Scotsman
Shaun Prendergast
James Hepworth
  Shopper (uncredited)
Rob Kirtley
  Man In Food Bank (uncredited)


Ken Loach
Robbie Ryan
  Director of Photography
Jonathan Morris
Philippe Logie
  Associate Producer
Eimhear McMahon
  Line Producer
Rebecca O'Brien
Paul Laverty
Kathleen Crawford
Fergus Clegg
  Production Design
Linda Wilson
  Production Design
Jo Slater
  Costume Design
Caroline Barton
  Art Direction
Dominic Byles
John Condron
Benjamin James Davis
  Art Department Assistant
Ray Beckett
  Production Sound Mixer
Robert Brazier
  Sound Effects Editor
Andrew Caller
  Sound Re-Recording Mixer
Michael Clayton
  Mix Technician
Adam Scrivener
  Sound Re-Recording Mixer
John Skehill
  Sound Mixer
Neal Skillen
  Boom Operator
Dries Houben
  Best Boy Electric
Matt Fisher
  Camera Operator
Matt Fisher
  Steadicam Operator
Simon Magee
Ellen Pickering
  Camera Intern
Caroline Stewart
  Casting Associate
Alison Carter
  Assistant Editor
Courtney Moore
  Production Coordinator
Heather Storr
  Script Supervisor
George Fenton
  Original Music Composer
Karol Baraton
  Executive Producer
Ben Brazier
  Dialogue Editor
Ben Brazier
  Foley Editor
Gareth Spensley
François Tiberghien
  Generator Operator
Rowena Wilkinson
  Foley Artist
Sue Harding
  Foley Artist
Emmanuelle Castro
  Executive Producer


 New Quote

I'm pencil by default.
— Daniel Blake


I am not a client, a customer, nor a service user. I am not a shirker, a scrounger, a beggar, nor a thief. I’m not a National Insurance Number or blip on a screen. I paid my dues, never a penny short, and proud to do so. I don’t tug the forelock, but look my neighbour in the eye and help him if I can. I don’t accept or seek charity. My name is Daniel Blake. I am a man, not a dog. As such, I demand my rights. I demand you treat me with respect. I, Daniel Blake, am a citizen, nothing more and nothing less.
— Daniel Blake’s letter



 New Review

By Jack Anderson on July 28, 2019

I, Daniel Blake is the story of a society that has turned into a corporation. The same movie could have been shot with a focus on hospitals, and how we are treated like cases. The humanity has vanished, its place stolen by extreme rationality. And we have become statistics. And rationality has become so fierce that the citizen have become the enemy.
Obviously, I do not want to make a general case out of it. What I am saying is that the irreversible finality of our systems is Daniel Blake, a man born before the Internet and

Because of its realism, the emotions feel true. This is why I love such films. There are no superheroes or anything of the sort. But Daniel is a true superhero. He cares for justice and has old values that seem to have disappeared with the new century. When we learn the final fate of the character, we can only feel vibrant compassion for him. When he confronts Katie, or talks about his beloved wife who passed away, we don’t need to have a complicated plot to appreciate the story. The story is simple yet extremely complex. And in a world where everything has become digitized, Daniel Blake is here to tell us to think about the status of our society. And this is the best compliment we can give to this film.

I give it 8 out of 10. Superb.


**A reminder that the society is made up of all kinds of people and some of them need gentle assistance.**

There was an Oscar buzz for this. Many film experts thought it would sail through, but that did not happen. Now I saw it and I think it should have made into. If the priests' dirty secrets were recognised to condemn on such a big platform, then this film deserves as well. Because it reveals the cruelty against the economically weaker families and computer illiterate old men.

It is only this much short to be called a documentary film. I mean it was very realistic with cinematic dialogues, otherwise a documentary. This is a message film, highlights what's wrong with our system and who are all suffering from it. The actors were great and the 80 years- old director had done a magnificent job. You could watch as many films you want, but if you fail to watch a film like this often, there no meaning getting into film watching business.

The story follows a 60 year old widower whose name mentioned in the title. As he is recovering from heart attack and as advise given by his doctor, now he's out of the job and support allowance. Whenever he approaches the officials to look his issue, they always come up with different reasons to send him back disappointing. Especially not being into the computers, he struggles to fill forms on the internet platform.

He's very patience and following everything they have told him to do. One day he comes to aid to a single mother with two kids who recently moved to the city from London, when she is too struggling in the employment agency to get a job. So their relationship grows as they lend hands to one another in tough times. Following, how they recover from the issues they are facing is what the film to cover in the remaining parts.

> "Listen, you know, you give me a plot of land, I can build you a house. But I've never been anywhere near a computer."

I liked this the film, but I think it was too realistic for my kind of taste. Because I like emotional parts and in this film those parts were highly effective, but not sentimentally striking way. Maybe you can say, less music with more dramatisation changed the storytelling style. Though the focus given on economically lower class and their way of life, not intentionally, but lack of support in society, all these were well detailed. I have always supported films that point outs flaws in basic establishment in society.

Almost all the major struggling juncture one goes through in the employment agency, particularly if the person was old is uncovered. Like the telephone calls responding to the recorded message, online applications, as well as meeting them in person. What we're facing right now in the world is or to know is, not everybody is a computer literate. It'll be in the future, but not now. They are not getting proper help, particularly agency treating them like the illegal immigrants.

In addition the film gets more interesting when a single mother was introduced. On the other side, different issues faced by poverty ridden small family, particularly her desperate attempt to fulfill the basic needs of her children is heartbreaking. This is not just the English problem, but everywhere else in the world. It had won several awards, particularly one BAFTA award. A good film for everyone, only if you understand the notion of the film or else will be a boring film.

While I was watching it, I thought it was a regular kind drama, so I kept expecting that things would turn this and that way. For almost the entire film, but it's only in the final stage something it came up with to surprise me. So my advice is keep low expectation and be patience. More importantly accept what it reveals than what you want from it. If you fail on that, then its not your film and to know that the only way is to watch it.



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