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Birdman on IMDb

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 Written by
Alexander Dinelaris Screenplay
Alejandro González Iñárritu Screenplay
Armando Bo Screenplay
Nicolás Giacobone Screenplay
Raymond Carver Short Story

 Directed by
Alejandro González Iñárritu


 Release Date
August 27, 2014

2 hours and 0 minutes (120 minutes)

Michael Keaton
  Riggan Thomson
Edward Norton
  Mike Shiner
Emma Stone
  Sam Thomson
Zach Galifianakis
Naomi Watts
  Lesley Truman
Andrea Riseborough
  Laura Aulburn
Amy Ryan
Kenny Chin
  Korean Grocer
Jamahl Garrison-Lowe
  Daniel (Stagehand)
Jeremy Shamos
Katherine O'Sullivan
  Costume Assistant
Damian Young
Keenan Shimizu
Akira Ito
Natalie Gold
Merritt Wever
Michael Siberry
Clark Middleton
William Youmans
  Bartender (Tommy)
Lindsay Duncan
  Tabitha Dickinson
Paula Pell
  Lady in Bar
David Fierro
  Man in Bar
Hudson Flynn
  Kid in Bar (Billy)
Warren Kelley
Joel Garland
Brent Bateman
  Broadway Tourist
Donna Lynne Champlin
  Broadway Lady
Valentino Musumeci
  Broadway Kid
Taylor Schwencke
  Broadway Kid
Craig muMs Grant
  Broadway Man on Street
Kyle Knauf
  Annoying Times Square Guy
Dave Neal
  Annoying Times Square Guy
Kelly Southerland
  Annoying Times Square Guy
Roberta Colindrez
  Broadway Woman on Street
Catherine Peppers
Frank Ridley
  Mr. Roth
Janis Corsair
  Female Usher
Rakesh G. Shah
  Liquor Store Owner
Bill Camp
  Crazy Man
Malachi Weir
  Guy in Window
Jackie Hoffman
  Lady on Balcony (Mary)
Stephen Adly Guirgis
  Good Neighbor
Glenn Wein
  Young Male Usher
Ebrahim Jaffer
  Cab Driver
Rain Noe
  Intermission Man
Susan Blackwell
  Intermission Woman
Anna Hardwick
  Blonde Reporter
Dušan Dukić
Helena-Alexis Seymour
Ian Finlay

 New Quote

Birdman: How did we end up here? This place is horrible. Smells like balls. We don't belong in this shithole.

Jake: How do you know Mike Shiner?
Lesley: We shared a vagina.


 New Review

As ambitious as brilliant
By Jack Anderson on May 2, 2019

Birdman is a gift for demanding audience. I crave for quality. I crave for emotions. I crave for art. And this movie is fucking art.
At first, I was simply blown away by the long shots. I am such an admirer of those shots. This is like watching a thin line. Everything must be connected perfectly and there are so many chances of it to fail that you simply watch with your mouth full opened, not believing that they'll put it through. But they did. And not just once, but throughout the entire movie.

The film is supported by performances that are as beautiful as intense. One of the reasons, beyond the obvious fact that the actors are very talented, is that they play as if there were in a play. This is not rolling, cut, rolling, cut, let's do one more. This is about being in the moment. Emma Stone, Edward Norton and Naomi Watts were truly excellent. And Michael Keaton was magnificent. Truly outstanding. It is as if you could feel his soul.

Meanwhile, the movie won the Oscar for best picture in 2015 and it is only logical but still a bold move from the Academy, who is often going for the most consensual choice.

I give it 9 out of 10. A truly outstanding and ambitious film.


**mounting spontaneity** or (dumb luck)

It's not fair.

I love Raymond Carver, long takes, theatre, Batman, NYC rooftops and alleyways, the blending layers of self-referential fiction, delirious fantasy, the creative process, the insane logistics of run-on cinematography, the seamless assembly of shifting environments, stepping into unresolved mental spaces, demonstrations of solitary madness and the unbearable anticipation of being, being judged, being booed, un-being, unhinging, delusional uppers, existential downers, magic surrealism, telekinetic fury, dreams of flying, throwing tantrums, the fragile yet invincible ego, immaculately constructed chaos, the recurring climax of ending it all -- where the blazes is that blasted improvisational drumming coming from? -- oh there, and there, so absurd, don't stop, the shot must go on, the show must go on, "You are not important, get used to it," she said, but so much angst overwhelms him, tethered to a feathered fantasy, a nagging reminder of what once was, or could have been, refusing to believe it's too late to soar to former heights, yet grounded by time and gravity, trapped in a narrative, caged in a fabrication, "You're an actress, honey," says another, "you have no self-respect" and all actors are game, Keaton and Stone zoned-in, knowing the pain, pretending to not care or pretending to matter, failing to be authentic, acting over acting, meta-acting meta-fiction meta-filmed with a meta-critical message: yeah, we're all messed-up and meta-fµcked, but after shooting your nose to spite the ruse, by unmasking the unexpected virtue of ignorance, peeling off layers of pretense and self-importance, you just might find a momentary strain of pure, uncomplicated innocence.

It's not fair. I love this sh*t!


First of all, let me say, I like most of movies where Naomi Watts plays & thought this one would be good too, after all it has high ratings, but don't be fooled by famous actors which play in this movie. Don't be fooled & think that movie is good. No, not at all. This movie is complete junk. It supposed to be a comedy, but I didn't even find it funny. It's just like a big mess. I started watching it & I couldn't last longer than 30 minutes, it was so boring & uninteresting that I fell asleep. I can't believe people rate this movie so high & even worse - this movie won an Oscar. This again proves, that ratings & Oscar ain't always accurate.


This film tells the story of an over-the-hill actor called Riggan Thomson (brilliantly portrayed by Michael Keaton) who was once the star of a superhero blockbuster franchise known as 'Birdman'. We are shown his journey into making a Broadway production starting with the initial rehearsals and read-throughs. What follows is a brilliant exploration of celebrity culture in an intriguing and satirical way.

'Birdman' could essentially be looked at as one continuous long shot. The camera constantly weaves around the actors and action and so the audience are completely immersed into the perspectives of the various characters (mostly Riggan's). The opening shot plays like a scene in Paul Thomas Anderson's 'Boogie Nights' as it delightfully establishes the narrative in a fluid and polished style whilst introducing the cast and their entertaining interchanges during a rehearsal with hilarious consequences.

The editing throughout the picture is almost flawless when moving from scene to scene and has a dizzying effect much like Gasper Noé's 'Irreversible'. 'Birdman' also boasts some marvellous special effects throughout such as when Riggan (Keaton) is alone and being taunted by his egotistical alter-ego. The film shows up typical blockbuster action movies by asking the audience what they want and giving it to them in a manner which embraces the excitement and epic-ness of the genre whilst also poking fun of the conventions.

The music that accompanies the film is very scarce in a lot of places adding emphasis to the dialogue and situations arising but, in some cases, an erratic and improvisational drum riff can be heard (occasionally accompanied with the drummer on the set) which completely adds to the eccentricity and spontaneity of the movie.

The screenplay is very intricately written and contains many profound philosophical speeches about art, celebrity and criticism. There are monologues and debates by characters in which they discuss the core beliefs of the film such as Riggan's speech during his performance of his Raymond Carver play "What We Talk About When We Talk About Love".

The whole narrative of the film is very intriguing and interesting. There is a perfect blend of comedy and poignancy. There are a lot of twists and ambiguity throughout the film which could be analysed and interpreted for a long time.

Michael Keaton is fantastic as the protagonist and gives a performance that would have given his career a huge revival (his squeal is my highlight of the film). The parallels with the character's career and that of Keaton's could not have been a mistake and gives the performance that much more edge. Edward Norton plays the method actor from hell (Mike Shiner). He is annoying, snobbish and smug and played brilliantly by Norton who excels in the vileness and pomposity of the character.

The film is very much about actors. The self obsessive nature of acting is definitely highlighted by the two central performances but there is also a cast that really help to deliver the film's meaning such as Emma Stone, Zach Galifianakis, Andrea Riseborough and Naomi Watts.

Overall, 'Birdman' is a fantastic film. It is filled with pathos and profound imagery whilst keeping the viewer thoroughly entertained throughout.


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